PERSEPSI VISUAL ANAK MUDA BANDAR LAMPUNG TERHADAP MOTIF KHAS LAMPUNG (PUCUK REBUNG DAN KAPAL)

  • Muhammad Hajid An Nur Institut Teknologi Sumatera
  • Susi Susyanti Institut Teknologi Sumatera
  • Arif Budiman Institut Teknologi Sumatera
Keywords: Motif, Lampung Motif, Pucuk Rebung Motif, Kapal Motif, Visual Perception, Youth Visual Perception

Abstract

Lampung has many traditional and distinct motifs, one of which is “Pucuk Rebung” and “Kapal”. Both of these motifs are visual elements that we can find on Lampung's weaving, Tapis. As time goes by, these traditional motifs had undergone a shift in terms of production technique, application, and public perception of the motifs. This traditional motif has been developed by creative industries such as several distro in Lampung and applied to fashion products, ranging from accessories, t-shirts, and so on. Research shows a change in traditional motifs (Pucuk Rebung and Kapal), especially on composition and application of motifs, and not on the main visual elements itself. This certainly shifts the visual perceptions of Lampung youth towards the traditional motifs. Research on Lampung youths visual perceptions of traditional motifs will help designers to innovate, especially in utilizing Lampung's distinctive motifs. Research shows that traditional motifs score slightly higher than the new motifs. traditional motifs (both Pucuk Rebung and Kapal) are considered more dynamic, more elegant, (giving) more (sense of) proud, more meaningful, and better.  

Downloads

Download data is not yet available.

References

Bekraf. Data Statistik dan Hasil Survei Ekonomi Kreatif, Kerjasama Badan Ekonomi Kreatif dan Badan Pusat Statistik. 2016.

Angelina, I. Eksplorasi Motif Pucuk Rebung dengan Teknik Olah Reka Latar pada Busana Pengantin Modern. Journal of Visual Art and Design ITB. 2014.

B. Suse, W. Eva & I Johann. Establishing a semantic differential on product prototype aesthetics: a research approach. MMI interaktiv. 1-8., 2010.

S. Rosidah. Makna Simbol Ragam Hias pada Kain Kebung yang Digunakan Masyarakat Lampung Saibatin di Pekon Kutadalom Kecamatan Gisting Kabupaten Tanggamus. Universitas Lampung. 2016.

Winarsih. Kain Tapis Lampung dalam Perspektif Estetika: Relevansinya dengan Perkembangan Kebudayaan di Indonesia. Universitas Gajah Mada. 2013.

K. Kahfiati. Tenun Handwoven Textiles of Indonesia. Jakarta: Sriwijaya Pustaka Indonesia. 2014.

I. A. Winarno. Analisis Motif Kain Tradisional Indonesia: Pemaknaan Visualisasi Abstrak hingga Naturalis Jurnal Budaya Nusantara, 1(1), 89-102. 2017.

A. Budiman, dkk. Revisualisasi Aksara Kaganga sebagai Identitas Lampung. Jurnal Bahasa Rupa. 2019.

A. Sachari & Y. Y. Sunarya. Desain dan Dunia Kesenirupaan Indonesia dalam Wacana Transformasi Budaya. 2001.

L. Hartono. Kain Tapis Lampung: Perubahan Fungsi, Motif dan Makna Simbolisnya. Universitas Gajah Mada. 2004.

Snieska, V. & Normantiene, A. Development of creative economy in Lithuania. ECONOMICS AND MANAGEMENT. 17. 10.5755/j01.em.17.4.3009. 2012.

Howkins, J. Creative Economy: How People Make Money From Ideas. London: Penguin Books. 2007.

Normantiene, A., Snieska, V. Role of Creative Industries in Lithuanian Economy Development. ECONOMICS AND MANAGEMENT 19. 2014.

T. Lavie & N. Tractinsky. Assessing dimensions of perceived visual aesthetics of web sites. International Journal of Human-Computer Studies, 60(3), pp.269-298. 2004.

Desfiandi, A. Model Kombinasi Perilaku Keputusan Konsumen untuk Membeli Motif Produk Industri Kerajinan. Seminar Nasional Bisnis dan Teknologi. 2014.

Published
2019-10-28
How to Cite
[1]
Muhammad Hajid An Nur, Susi Susyanti, and Arif Budiman, “PERSEPSI VISUAL ANAK MUDA BANDAR LAMPUNG TERHADAP MOTIF KHAS LAMPUNG (PUCUK REBUNG DAN KAPAL)”, bahasarupa, vol. 3, no. 1, pp. 22-30, Oct. 2019.
Abstract viewed = 45 times
FULL TEXT downloaded = 65 times