Studi Logo Event (Acara) Di Daerah (Kajian Ikonografi: Studi Kasus Logo Karya Z. Hanafi di Sumatera Barat)

Authors

  • Arif Budiman Institut Seni Budaya Indonesia Aceh

DOI:

https://doi.org/10.31598/bahasarupa.v1i1.142

Keywords:

logo, symbolic, local wisdom, aesthetic

Abstract

Logo’s event become an art medium to express an image of event. From elements of line, shape, colour,  and typography which are composed unified, makes logo as a symbolic language. Logo can emphasize an identity of particular region from the diversity of local wisdom. West Sumatra which is in Minangkabau culture territority has its own concept on how human creativity reveal the messages. By a unique logo, it fulfills the aesthetic needs of society that interact people to participate the event. Theory of Iconography and Iconology reveal the meaning of logo from aesthetic aspect and aim behind the design. Zainul Hanafi is one of artist from West Sumatra that concern in graphic design.  Hanafi means logo’s event in specific region must have a concept that representate the importance of each stakeholder. The representation emerge the uses of diverse colours and shapes. Overlaps, crowded icons and rousing. Although there are many logo with more simple shapes, actually it is a valid diversity.

Downloads

Download data is not yet available.

References

[1] Safanayong, Y., 2006. Desain komunikasi visual terpadu. Jakarta: Arte Intermedia.

[2] Rustan, S., 2009. Mendesain Logo. Jakarta: Gramedia Pustaka Utama.

[3] Widiatmoko, D., 2010, December. TENTANG LOGO. In Visual(Vol. 9, No. 1).

[4] Pittard, N., Ewing, M. and Jevons, C., 2007. Aesthetic theory and logo design: examining consumer response to proportion across cultures. International Marketing Review, 24(4), pp.457-473.

[5] Budiman, A., 2008. Kenang-Kenangan SMSR. Padang: SMKN 4 Padang.

[6] Anonim. 1974. Surat Kabar Harian Haluan.

[7] Panofsky, E., 1979. Meaning in the visual art. Papers in and on art history. Chicago : The University of Chicago Press.

[8] Couto, N., 2008. Budaya visual seni tradisi Minangkabau. Universitas Negeri Padang Press.

[9] Read, H.E., 1972. The Meaning of Art. New York, Washington: Praeger Publ. Inc.

[10] Davis, M.L., 1980. Visual design in dress. Prentice Hall.

[11] Dharmaprawira, S., 2002. Warna: Teori dan Kreatifitas Penggunaannya. Bandung: Penerbit ITB.

[12] Sudjoko, B., 1991. Pemanfaatan ikan cucut. Jurnal Osena, 16(4), pp.31-37.

[13] Feldman, E.B., 1967. Art as image and idea.

[14] Tinarbuko, S., 2015. DEKAVE. Yogyakarta: Penerbit Caps.

Downloads

Published

2017-10-28

How to Cite

[1]
A. Budiman, “Studi Logo Event (Acara) Di Daerah (Kajian Ikonografi: Studi Kasus Logo Karya Z. Hanafi di Sumatera Barat)”, bahasarupa, vol. 1, no. 1, pp. 51-60, Oct. 2017.

Most read articles by the same author(s)